American Artist (1911-1988)
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| Bibliography |
| It Is, New York, No. 1, Spring 1958 |
| 1958 Pittsburgh International Exhibition of Contemporary Painting and Sculpture, Museum of Art, Carnegie Institute (exhibition catalog), Pittsburgh |
| "Sculpture in New York", Arts, June 1958 |
| Anthony Bower, "Sculpture," Art in America, Winter 1958-59 |
| 1959 Pittsburgh International Exhibition of Contemporary Painting and Sculpture, Museum of Art, Carnegie Institute (exh. cat.), Pittsburgh |
| Thomas B. Hess, "U.S. Sculpture: Some Recent Directions," Art News Annual, No. 1, 1959 |
| Stanley Kunitz, "Sitting for Rosati the Sculptor," Art News, March 1959 |
| Hilton Kramer, "The Sculpture of James Rosati," Arts, March 1959 |
| Dore Ashton, (review), Arts and Architecture, May 1959 |
| Sculpture in our Time, Collected by Joseph H. Hirshhorn, The Detroit Institute of Arts (exhibition catalog), Detroit, 1959. |
| Michel Seuphor, La Sculpture de ce siècle (Neuchatel, Switzerland: Editions du Griffon), 1959, p. 324, ill. |
| "Sculpture Panel," It Is, New York, No. 5, Spring 1960, pp. 51-56, 58. |
| Carola Giedion-Welcker, Contemporary Sculpture: An Evolution in Volume and Space (New York: George Wittenborn, Inc.), 1960, pp. 262, 274, 275, 347, 349. |
| Dore Ashton, "New American Sculpture," XX Siècle 1960. |
| Lloyd Goodrich and John I. H. Baur, American Art of our Century (New York: Frederick A. Praeger), 1961. |
| Carola Giedion-Welcker, "Origins and Tendencies of the Relief," XX Siècle 1961. |
| 1961 Pittsburgh International Exhibition of Contemporary Painting and Sculpture, Museum of Art, Carnegie Institute (exhibition catalog), Pittsburgh, no. 337. |
| Face of the Fifties: Recent Painting and Sculpture from the Collection of the Whitney Museum, University of Michigan Museum of Art (exhibition catalog), Ann Arbor, 1961. |
| Mechanism and Organism: An International Sculpture Exhibition, New School Art Center (exhibition catalog), New York, 1961. |
| The First Five Years: Aquisitions 1957-1962 by the Friends of the Whitney Museum of American Art, Whitney Museum of American Art (exhibition catalog), New York, 1962, ill. |
| Art since 1950, Seattle World's Fair, 1962, p. 78. |
| Annual Exhibition: Sculpture and Drawings, Whitney Museum of American Art (exhibition catalog), New York, 1962, p. 40. |
| Critics Choice: Art since World War II, Providence Art Club (exhibition catalog), Providence, RI, 1962. |
| Modern Sculpture and Sculptor's Drawings, University Art Gallery, University of California(exhibition catalog), Berkeley, 1962. |
| Some Directions in Contemporary Painting and Sculpture: 65th American Exhibition, Art Institute of Chicago (exhibition catalog), Chicago, 1962. |
| Dore Ashton, (review), Arts and Architecture, March 1962. |
| Irving Sandler, (review), Art News, March 1962. |
| Max Kozloff, "New York Letter", Art International, March 1962. |
| "Four Among Many," Newsweek, March 19, 1962. |
| Sidney Tillim, (review), Arts, April 1962. |
| Kenneth Sawyer, (review), Arts and Crafts, July 1962. |
| Modern Sculpture from the Joseph H. Hirshorn Collection, Solomon R. Guggenheim Museum (exhibition catalog), New York, 1962, pp. 161, 181, 228, 242. |
| James Rosati: Recent Sculpture, Otto Gerson Gallery(exhibition catalog), New York, 1962. |
| Cleve Gray, "The Artist In America," Art in America, January 1963. |
| Sculpture: Open Air Exhibition of Contemporary British and American Works, London County Council (exhibition catalog), Battersea Park, London, 1963, no. 36, ill. |
| Six Sculptors, Boston University Art Gallery (exhibition catalog), New York, Boston, 1963, nos. 10-13, ill. |
| Sculptors of our Time, Washington Gallery of Modern Art, Washington, DC, 1963. |
| Art Has Many Facets: The Artistic Fascination with the Cube, Fine Arts Gallery (exhibition catalog), University of St. Thomas, Houston, 1963, no. 146, ill. |
| Jean Selz, Modern Sculpture, Origins and Evolution, George Braziller, New York |
| 1964 Pittsburgh International Exhibition for Contemporary Painting and Sculpture, Museum of Art, Carnegie Institute (exhibition catalog), Pittsburgh, no. 365. |
| The Artist's Reality: An International Sculpture Exhibition, New School Art Center (exhibition catalog), New York, 1964. |
| Dore Ashton, "James Rosati: World of Inner Rhythms," Studio International, London, May 1964, pp. 196-199, ills. |
| Herbert Read, Concise History of Modern Sculpture (New York: Frederick A. Praeger), 1964, p. 190, ill. |
| 1964 Annual Exhibition of Contemporary American Sculpture, Whitney Museum of American Art (exhibition catalog), New York, 1964-65, pp. 14, 53. |
| The Carborundum Sculpture Awards: 1961-1965, Carborundum Company, Niagara Falls, NY, 1965. |
| It Is, New York, No. 6, Autumn 1965. |
| "Contemporary Sculpture," Arts Yearbook 8, 1965. |
| Etats-Unis Sculptures du XX Siècle, Musée Rodin (exhibition catalog), Paris, 1965. |
| Portraits from the American Art World, New School Art Center (exhibition catalog), New York, 1965. |
| Sculpture from the Albert A. List Collection, New School Art Center (exhibition catalog), New York, 1965. |
| Critics Choice: Art Since World War II, Providence Art Club (exhibition catalog), Providence, RI, 1965, no. 65, ill. p. 41. |
| James Rosati, "David Smith, 1906-1965," Art News, September 1965 |
| Sarah Landsell, "Old-Master Reruns at Merida; Sculpture Due for Speed Show," Courier-Journal, Louisville, KY, May 1, 1966. |
| Barbara Rose, American Art Since 1900 (New York: Frederick A. Praeger), 1967, p. 208. |
| Three Artists of Today, Colby College Art Museum (exhibition catalog), Waterville, ME, 1967. |
| Collection of Mrs. Harry Lynde Bradley, Milwaukee Art Center (exhibition catalog), Milwaukee, 1968, p. 119. |
| James Rosati, Charles A. Dana Creative Arts Center (exhibition catalog), Colgate University, Hamilton, NY, 1968. |
| Barbara Rose, "Blow Up: The Problem of Scale in Sculpture," Art in America, July-August 1968. |
| Hilton Kramer, "Art: Whitney Shows Modern American Sculpture," The New York Times, December 18, 1968. |
| Georgine Oeri, Man and His Images (New York: Viking Press), 1968. |
| Dore Ashton, Modern American Sculpture (New York: Abrams), 1969. |
| Christopher Andreae, "Review," The Christian Science Monitor, December 9, 1969. |
| Hilton Kramer, "An Unlikely Gamble," The New York Times, December 21, 1969. |
| David L. Shirey, "Review," Newsweek, December 1969. |
| Geigy Art Collection, Geigy Chemical Corporation, Ardsley, NY 1969. |
| William C. Seitz, "Rosati: Masses in Elevation," Art News, December, 1969. |
| James Rosati, Rose Art Museum (exhibition catalog), Brandeis University, Waltham, MA, 1969. Essay by William Seitz. |
| Inaugural Exhibition: New School Graduate Faculty Center, New School Art Center (exhibition catalog), New York, 1969, no. 51, ill. |
| William C. Seitz, "James Rosati: Sculpture 1963-69," Art International, January 1970. |
| Jean Reeves, "Rosati: 'On the Razor's Edge,'" Buffalo Evening News, February 7, 1970. |
| D. K. Winebrenner, "Sculptures of Rosati Displayed," Buffalo Courier-Express, February 10, 1970. |
| Peter Schjeldahl, "A Sculpture to Command Public Places," The New York Times, October 4, 1970. |
| John Gruen, "Galleries & Museums: Review," New York Magazine, October 12, 1970. |
| Art Now: New York, University Galleries, New York, 1970, vol. 2, no. 9. |
| Carter Ratcliff, "New York Letter," Art International, November 1970. |
| T. B. H., "James Rosati," Art News, November 1970, p.68. |
| American Sculpture, Nebraska Art Association (exhibition catalog), Lincoln, 1970, no. 139. |
| Monumental Art, Contemporary Arts Center (exhibition catalog), Cincinnati, OH, 1970. |
| Exposition l'art vivant aux Etats-Unis, ondation Maeght (exhibition catalog), Paris, 1970, pp. 146-147. |
| 1970 Pittsburgh International Exhibition of Contemporary Art, Museum of Art, Carnegie Institute (exhibition catalog), Pittsburgh, p. 81, ill. |
| A New Consciousness: The Ciba-Geigy Collection, Hudson River Museum (exhibition catalog), Yonkers, NY, 1971. |
| Artists at Dartmouth: A Retrospective of Selected Artists-in-Residence at Dartmouth College since 1962, Hopkins Center for Creative and Performing Arts at Dartmouth College (exhibition catalog), Hanover, NH, 1971. |
| 11th Biennale Middelheim (exhibition catalog), Antwerp, Belgium, 1971, p. 95. |
| The Britannica Encylopedia of American Art (Chicago: Encyclopedia Britannica Educational Corp.), 1973. |
| Monumenta: Biennial Exhibition of Outdoor Sculpture (exhibition catalog), Monumenta, Newport, RI, 1974, no. 36. |
| James J. Kelley, The Sculptural Idea (Minneapolis: Burgess Publishing Co.), 1974, no. 59, ill. |
| Selected Paintings and Sculpture from the Hirshhorn Museum and Sculpture Garden, edited by Abram Lerner (New York: Harry N. Abrams), 1974. |
| Twentieth-Century Monumental Sculpture, Marlborough Gallery (exhibition catalog), New York, 1974. |
| Brian O'Doherty, "Public Art and the Government: A Progress Report," Art in America, May-June 1974. |
| American Art in Upstate New York: Drawings, Watercolors and Small Sculpture from Public Collections in Albany, Buffalo, Ithaca, Rochester, Syracuse and Utica, Albright-Knox Art Gallery (exhibition catalog), Buffalo, NY, 1974. |
| Michel Ragon and Michel Seuphor, L'art abstrait, (Paris: Maeght Editeur), no. 269. |
| Sculpture '76, Greenwich Arts Council (exhibition catalog), Greenwich, CT, 1976. |
| Artists Salute Skowhegan, Kennedy Galleries (exhibition catalog), New York, 1977. |
| James Rosati: Recent Works, Marlborough Gallery (exhibition catalog), New York, 1977. |
| Hilton Kramer, "James Rosati," The New York Times, April 1977. |
| Barbara Cavaliere, "Arts Reviews," Arts, September 1977. |
| Barbara Gamarekian, "Capital Gives All for Art," The New York Times, May 31, 1978. |
| Masters of Modern Sculpture, Marlborough Gallery (exhibition catalog), New York, 1978. |
| Richard McLanathan, East Building - National Gallery of Art - A Profile, National Gallery of Art, 1978. |
| Art in Architecture Program, U.S. General Services Administration, 1979. |
| Urban Encounters -- Art, Architecture, Audience, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, 1980. |
| Donald W. Thalacker, The Place of Art in the World of Architecture, Chelsea House Publishers, New York, 1980. |
| American Art in the Newark Museum, Newark Art Museum, Newark, NJ, 1981. |
| Arte Contemporaneo Internacional, Museo Rufino Tamayo, Mexico City, 1981. |
| William Lieberman, Nelson A. Rockefeller Collection: Masterpieces of Modern Art (New York: Hudson Hlls Press), 1981, p. 233, ill. |
| Vivien Raynor, "Art: Metal Sculpture by James Rosati," The New York Times, December 24, 1981. |
| James Rosati: Recent Sculpture, Marlborough Gallery (exhibition catalog), New York, 1981-82. |
| M.S. Van Hecke, "Charlotte Plaza Sculpture Shown," The Charlotte Observer, Charlotte, NC, June 24, 1982. |
| Dore Ashton, American Art Since 1945 (New York: Oxford University Press), 1982, pp. 61-62. |
| Lawrence Toppman, "Sculpture is first of many for Charlotte Plaza," The Charlotte News, Charlotte, NC, February 10, 1983. |
| "Sculpture Unveiled," The Charlotte Observer, Charlotte, NC, February 17, 1983. |
| Lawrence Toppman, "Two Angled Forms," The Charlotte News, Charlotte, NC, August 25, 1983. |
| Bill Marvel, "Sculpture by Rosati installed in Lee Park," Dallas Downtown News, Dallas, TX, November 14, 1983. |
| Janet Kutner, "Sculpture by Rosati," Dallas Morning News, Dallas, TX, November 24, 1983. |
| Rosati/Ode IV, Steelcase Inc., Grand Rapids, MI, 1983. |
| Music For The Eyes, Steelcase Inc., Grand Rapids, MI, 1983 (film). |
| Joseph A. McDonnell, (review), Art/World, June 1984. |
| Michael Brenson, (review), The New York Times, June 8, 1984. |
| Jane Kessler, "Corporate Art Collections in North Carolina," The Arts Journal, July 1984. |
| "Gimme an A and a Bent O: Washington Talk," The New York Times, October 29, 1984. |
| Jane Addams Allen, "A Moving Experience for Rosati Sculpture," The Washington Times, October 30, 1984. |
| "Institute's New Sculpture Program to Foster Public Interaction with Art," Memo: Newsletter of the American Institute of Architects, #678, November 14, 1984. |
| Benjamin Forgey, "Pipe Dreams: The State of Sculpture in Public Places," The Washington Post, November 25, 1984. |
| Works in Bronze: A Modern Survey, Sonoma State University Gallery (exhibition catalog), Rohnert Park, CA, 1984. |
| Masters of Modern and Contemporary Sculpture, Marlborough Gallery (exhibition catalog), New York, 1984. |
| James Rosati: Recent Monumental Sculpture, Marlborough Gallery (exhibition catalog), New York, 1984. Essay by Albert Elsen. |
| The Empire State Collection: Art for the Public (New York: Empire State Plaza Art Commission), 1987, pp. 148-51, ill. |
| Fred W. McDarrah and Gloria S. McDarrah, The Artist's World In Pictures, Shapolsky Publishers, Inc., New York, 1988. |
| Fabrication of Ode VI, Susan Farricielli, director, New Haven, CT, 1988 (film). |
| American Sculpture at Yale University (New Haven, CT: Yale University Art Gallery), 1992, p. 149, ill. |
| Handbook of the Collections: Yale University Art Gallery (New Haven, CT: Yale University Art Gallery), 1992, p. 252, ill. |
| Sculpture: An Illustrated Catalog (Washington DC: Board of Trustees, National Gallery of Art), 1994, p. 210, ill. |
| Reclaiming Artists of the New York School, Sidney Mishkin Gallery (exhibition catalog), New York, 1994, ill. p. 30. |
| Marika Herskovic, New York School Abstract Expressionists: Artists Choice by Artists (New Jersey: New York School Press), 2000, pp. 314-17, ill. |
| Newportraits (Hanover, NH: University Press of New England), 2000, pp. 317, ill. p. 319 |
| Saul Wenegrat, "Public Art at the World Trade Center," September 11th: ART LOSS, DAMAGE, AND REPERCUSSIONS, Proceedings of an IFAR Symposium on February 28, 2002. |
| Marjorie B. Cohn and Sarah Kianovsky, Lois Orswell, David Smith, and Modern Art, Harvard University Art Museums (Exhibition Catalog), Cambridge, MA, 2002, cat. no. 198, fig 164, p. 378. |
| Irving Sandler, A Sweeper-Up After Artists (New York: Thames & Hudson Inc.), 2003, pp. 12, 28, 31, 168, 170. |
| Angela Koester, Choreographing a Collection: The Dr. Beatrice H. Barrett Collection of Art, (Lincoln, MA: DeCordova Museum and Sculpture Park), 2004, ill. |
| Benjamin Genocchio, "Semi-Scandalous Outdoors, Passé Indoors," The New York Times, July 29, 2006. |
| La Scuola di New York: Riproposte e Riscoperte, Quaterni di Scultura Contemporanea, No. 7, Edizioni della Cometa, Roma, December, 2006. |
| Natalie Edgar, ed., Club Without Walls - Selections from the Journals of Philip Pavia, Midmarch Arts Press, New York, NY,2007. |
| Marika Herskovic, American Abstract and Figurative Expressionism Style Is Timely Art Is Timeless An Illustrated Survey With Artists' Statements, Artwork and Biographies, New York School Press, 2009. |
| Jonathan D. Lippincott, Large Scale: Fabricating Sculpture in the 1960s and 1970s, Princeton Architectural Press, New York, 2010. |
| Jonathan D. Lippincott. "James Rosati: The Move to Large Scale." 50 Watts. Cargo. March 2011. |